The Friday Writers’ Club is a regular facilitated meet-up for existing students of Cardiff Writers’ Studio, who currently have work in progress.

Time: 10am-12pm Fridays

Format: Zoom

Length: 10-week blocks

Cost: £160 (£120 unwaged)

So, if you have a project on the go that you’re ready to air with an audience, and if you’re curious about how ‘it reads’, this might be the group for you. Or, maybe you have got stuck on your project, lost your way, or are you’re running low on inspiration and / or confidence, in which case, we’re ready to listen and help problem-solve alongside you. You can expect encouragement and solidarity from like-minded company, the fresh perspective of six creative minds coming anew to your work, and thoughtful feedback, presented with sensitivity.

Groups are closed and kept to a maximum of six members. Each member will have a chance to share an extract of their work (of up to 1000 words) on three occasions across the ten-week block. This work will be emailed across the group as a word document a week prior to the meeting. Each meeting will focus on two writers’ work. Every member will be expected to read up to 2000 words per week, belonging to their fellow writers; and will prepare feedback to share each Friday morning.

Between registering interest and completing payment, participants are required to accept the following guidance on how to offer and receive constructive feedback:

If you are the reviewer:

  • Set aside enough time to give high quality attention to your fellow writers’ work.

  • Remember, it is a privilege to have access to a writer’s work-in-progress.

  • Please do not share or discuss the writer’s work with anyone else outside the group.

  • Remember, we do not fully know the circumstances of each other’s lives, and we don’t always know the amount of courage it has taken to share a piece of writing.

  • Read carefully the additional blurb supplied by the writer. What kind of feedback is the writer looking for? Don’t stray from their request.

  • The writer will remember the words you use to describe their writing. Remember to present your comments with care. Be sensitive. Be kind. Be positive.

  • As humans, we have an infuriating inclination to zone in on the negative. Remember to balance your comments with the good stuff.

  • Always support your comments with evidence - reference the text.

  • If the writer requests, be prepared to explore new ways forward with the writer.

  • As readers, we are all liable to project our own experiences upon a text. Be prepared to ask yourself what of your own history / attitudes might be informing your reaction.

  • Use the opportunity to deepen and develop your own skills as a writer. We can apply all this work to our own practice.

  • Let’s leave our fellow writers feeling good about themselves and alert to the possibilities of their writing.

If you are the writer:

  • Prepare your additional blurb carefully. State what kind of feedback you, as a writer, are you looking for. Be as explicit and specific as possible. Ask the reviewer direct questions. You guide the feedback process.

  • Remember, a group of real and receptive human beings (with their own histories, humour, sensibilities, tastes, passions, vulnerabilities, and flaws) reading and responding to our work can be a hearty and expansive experience. Enjoy the ride!

  • Remember, your reviewer comes to your writing with their own “baggage” (they are human after all), which could occasionally affect their perception of your writing.

  • Remember, your writing will not please everyone, and nor should it.

  • Remember, your writing may not be your reviewer’s “thing”, and that’s okay.

  • Remember, it is not personal. Your reviewer is responding to the writing, not giving feedback on you as an individual. The writing and the writer are separate things.

  • You can cherry pick the feedback that resonates for you and your project.

  • Don’t feel obliged to make changes or bend your work to accommodate the whims of others.

  • Keep a connection to what inspired your project in the first place.

  • Does your writing feel true. Well, maybe that’s all that matters!

Friday Writers’ Club